Black History in Kansas City

18th and Vine Signage

Anyone who has heard me talk about Kansas City know that I have nothing but love for this city. It’s friendly, there’s plenty to do, and there  is a ton of great restaurants, and of course there’s barbecue. 🙂 Kansas City made it as my favorite new city that I visited in 2013. So, I wasn’t surprised that it made it as one of Lonely Planet’s “Top 10 U.S. Destinations for 2014.” It has a vibrant black American community, and there is a ton of black history.

Kansas City’s history seems to be a city that fits my personality. A person who hates to see injustice, and believes it should be irradicated by any means necessary, but also a person who’s seen her fair share of partying all night long, till the break of dawn. So, I will start with the fighting to irradiate injustice, and end with music and drinks. 😀

Before the outbreak of the American Civil War, the territory of Kansas had been the scene of fighting between pro-slavery and antislavery forces.

The town of Quindaro, in what is now Kansas City, Kansas was founded in 1856 as a port of entry for escaping slaves. Quindaro became an important station on the Underground Railway, with slaves escaping crossing Missouri river.

After the end of Reconstruction, racial oppression and rumors of the reinstitution of slavery led many blacks to seek a new place to live. The first major migration to the North of ex-slaves was in 1879. Thousands of blacks fled the South. They headed for the homesteading lands of Kansas, and the land of John Brown, an abolitionist who advocated, and “practiced” armed insurrection as a means to abolish all slavery.

Advertisement for "Colored" People to come to Kansas, the land of John Brown.

Advertisement for “Colored” People to come to Kansas, the land of John Brown. This is document is in The Black Archives of Mid-America

John Brown gained attention when he led small groups of volunteers during the Pottawatomie Massacre in 1856 in Bleeding Kansas in retaliation of pro-slavery advocates raiding the free-soil town to Lawrence, Kansas, killing two people, burning down a hotel, and destroying two printing presses.

Statue of John Brown

Statue of John Brown

A statue dedicated in tribute to John Brown stands at the corner of 27th & Sewell Streets, in Kansas City, KS. Nearby is home to the ruins of Quindaro. The ruins of Quindaro now belong to the African Methodist Episcopal Church and the City of Kansas City, Kansas. There is a stone platform overlooking the ruins, but the ruins themselves may only be visited by prearranged tour.

Pathway to the Quindaro Ruins

The view of the pathway to the Quindaro Ruins from the platform. It was July, and over 95 degrees when I was visiting so my tour guide was unable to want to make the journey.

When you move over to the Missouri side of Kansas City, you find an even more interesting history, that’s still is a part of the energy of this city.

Kansas City’s historic 18th and Vine District was once the epicenter of the city’s black community. It’s fitting that it is now home to several venues that celebrate this community’s history. There is so much to see all within this 3-block area.

The Horace M Peterson III Building is home of The Black Archives of Mid-America

The Horace M Peterson III Building is home of The Black Archives of Mid-America.

The Black Archives of Mid-America, was founded in 1974 by Horace M. Peterson III, with the goal of collecting the ideals and images of black Americans in Kansas City. The Black Archives of Mid-America collects, preserves, and honors the heritage of black Americans.

"institution of Uplift." One of the many themes on display at The Black Archives.

“institution of Uplift.” One of the many themes on display at The Black Archives. of Mid-America

Thematic in design it covers different periods of history of Kansas City. It starts with the early pre-civil war years, which is a very important time period in this region since several important pre-civil war battles were fought in this region. It takes you through the 20th century with memorabilia, photographs, and documents relating to community groups, and social and political events that helped shape Kansas City.

The entrance to the Negro Leagues Baseball Museum and the museum shop.

The entrance to the Negro Leagues Baseball Museum and the museum shop.

Across the street from the Black Archives in the complex that houses The Negro Leagues Baseball Museum and the National Jazz Museum.

The Negro Leagues got their start in Kansas City, when eight independent black baseball teams met at the Paseo YMCA in 1920. Buck O’Neil played for the Kansas City Monarchs, and had a major role in opening the Negro Leagues Baseball Museum.

Statue of Buck O'Neil

Statue of Buck O’Neil

Thousands of players, and hundreds of teams receive the recognition, respect, and admiration they earned on the field at The Negro League Museum. It takes you from the early years and pioneers before the actual forming of the Negro Leagues, to the founding of the Negro Leagues, through the golden years, and the roles the players played in the community.

Coors Field of Legends

Coors Field of Legends

Geddy Lee Autograph Baseball Collection

Geddy Lee Autograph Baseball Collection

A few of the highlights are The Heroes of the Games Lockers, and the collection of nearly 200 autographed baseballs donated by Geddy Lee of the rock band Rush. This really is someplace you want to visit. I’m not even a baseball fan, but I’m a fan of history, and I found this museum fascinating. For example, did you know there were a couple of women who played in the Negro Leagues? I didn’t then, but I do now.

On the opposite side of the same complex is The National Jazz Museum.

The American Jazz Museum and Swing Shop

The American Jazz Museum and Swing Shop

Jazz is a part of this city’s fabric. Kansas City for a while was the only city that could compete with New York, and Chicago in when it came to jazz musicians. During the great depression when most jazz musicians in other cities were in trouble, Kansas City’s jazz musicians prospered. When other cities were experiencing the great depression and prohibition, Kansas City was prospering and drinking.

Jazz Museum Neon Signs

Neon Sign in The National Jazz Museum

Political boss Tom Pendergast controlled Kansas City, MO from 1925 – 1939. His intimate links with organized crime, not only help build the city, but made Kansas City one of the wildest places in America. It was the Las Vegas of its time, filled with gambling dens, bars, and brothels. Prohibition never existed in Kansas City. It was never enforced. Which means the jazz lounges were on and poplin’ all night long. Kansas City was known as being “wide open.”

Jazz Museum Round The Clock Music

Round The Clock Music

The downfall of Tom Pendergast in the late 30s, and the reforms that followed brought about a gradual demise of Kansas City’s prosperous jazz scene. Deprived of corruption and vice his administration enabled, nightlife suffered, and work for musicians declined.

Today, you can visit The National Jazz Museum, put on some headsets and be carried away, back in time, by the likes of Duke Ellington, Count Basie, Ella Fitzgerald, and Charlie “Bird” Parker. It also houses one of the largest and most comprehensive collections of early and rare jazz films. Then come back in the evening when The Blue Room, the jazz lounge that is a part of The National Jazz Museum, is jammin’ with some of the best jazz in the country.

The Blue Room Audience

Blue Monday Jam audience at The Blue Room.

The vibrations of contemporary jazz echo throughout the many venues, and there’s plenty of local talent. There are numerous venues in the city where you can experience local jazz. Many of them are close to the city center and are free, or next to free (meaning inexpensive).

Earnest on the Saxaphone

This young local talent has been coming down to the Blue Room to play his saxophone since he was 13.

Close by is the Mutual Musicians Foundation. Founded in 1917 as Local 627 Colored Musician’s Union, nearly every jazz great in the country has jammed here. Since 1930, musicians have gathered at the Foundation every Friday and Saturday night after midnight to jam into the early morning hours. The term “Jam Sessions” originated with these all night jam session. The Mutual Musicians Foundation is the only location in Missouri that is legally permitted to serve alcohol all night long.

I can tell you, when I got off of the plane in Kansas City, I didn’t know what to expect. I really didn’t know anything about this city’s vibe, nor it’s history. What I thought of as a “fly over” city, is now one of my favorite towns.

Located less than a two hour flight from most of the US’s major airports, Kansas City is a great weekend getaway to discover during Black History Month.

Following is a list of special exhibits and performances they’re having throughout the month:

 American Jazz Museum

  • Feb. 27 – Stories from the Vine: “One-on-One” with Dr. David C. Driskell, 6 p.m. Renowned painter and collector Driskell will share his insights during this intimate discussion on how visual, performing and film artists influence and draw on the creation of their works.

Discussion to be held in the American Jazz Museum’s Atrium. For more information, visit www.americanjazzmuseum.org.
Black Archives of Mid-America in Kansas City

  • Feb. 1 – “From Slave Ship to Harvard, Yarrow Mamout and the History of an African-American Family,” 2-4 p.m. with reception immediately following. Author James H. Johnston, who grew up in Independence, will discuss his new book, a true story of an African-American family from colonial period to Harvard andpresent day.

This event to be held at The Black Archives of Mid-America in Kansas City, 1722 E. 17th Terr. More information available at www.blackarchives.org.

Folly Theater

  • Feb. 11 – “Harriet Tubman,” a stirring drama set to music is a classic tribute to abolitionist Harriet Tubman, 10 a.m. and 11:30 a.m. Part of the Folly Kids’ Series.

For more information or to purchase tickets call 816-474-4444 or visit www.follytheater.org.

Kansas City Public Library

  • Feb. 7 – “Tommy Terrific’s Magic Show,” for children of all ages, celebrates trumpeter, singer and jazz pioneer Louis Armstrong.
  • Feb. 8 – Black Classics Book Club will discuss humorous pieces by well-known and not so well-known African-American authors from “Hokum: an Anthology of African-American Humor”.
  • Feb. 11, 14 – “Brother John.” This musical tribute by storyteller Brother John (portrayed by Carr Mel Brown) brings jazz artists Duke Ellington, Ella Fitzgerald and others to life.
  • Feb. 18 – Preschool Storytime: “This is the Rope: A Story from the Great Migration.” A rope passed down from generations frames an African-American family’s story as they journeyed North during the time of the Great Migration.
  • Feb. 19 –“An Evening with Frederick Douglass.” Veteran re-enactor Charles Everett Pace brings his one-man show to KC to portray abolitionist Frederick Douglass.

For times and locations, go to www.kclibrary.org.

Kemper Museum of Contemporary Art

  • Feb. 28 – Artist Talk + Happy Hour: Trenton Doyle Hancock. In conjunction with the exhibit “Dressed Up,” artist Trenton Doyle Hancock speaks about the developing themes in his artwork. “Dressed Up” an exhibition of art – photography, collage and paintings on display through April 27.

Visit www.kemperart.org for more information.

The National Archives at Kansas City

  • Feb. 20 – Panel discussion, “Fifty Years of Civil Rights: The Movement That Changed the World,” presented in partnership with the Greater Kansas City Black History Study Group, 6:30 p.m.
  • Feb. 22 – Film screening of “Created Equal, Freedom Riders” with panel discussion immediately following at the Black Archives of Mid-America, 2 p.m.
  • Feb. 25 – Local author Phil Dixon will lead a discussion on “Jack Johnson: Contradictions to History from a Heavyweight Champion’s Unpublished Prison Manuscript,” 6:30 p.m.

For more information, call 816-268-8000 or visit www.archives.gov/kansas-city.

The Nelson-Atkins Museum of Art

  • Through May 18 “History & Hope: Celebrating the Civil Rights Movement” brings together photographs, drawings and prints that acknowledge the role artists and musicians played in the civil rights struggle. This exhibit was created in collaboration with the American Jazz Museum, The Black Archives and The Nelson.

For more information, call 816-751-1278 or visit www.nelson-atkins.org.

 

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About Terri Lundberg

Terri Lundberg is an American expat currently residing with her husband in Saudi Arabia, but she calls Seattle and San Diego home. She’s a travel writer, an avid photographer and is a resource and cross cultural trainer to expats relocating to Saudi Arabia. She’s been to 100 destinations, 26 countries, and counting.

Comments

  1. This town is now on my bucket list of places to visit